PENTAX KP Review from

PENTAX KP review with the results of smc PENTAX-DA 21mm F3.2 AL Limited, HD PENTAX-DA 16-85mm F3.5-5.6 ED DC WR, smc PENTAX-DA 50mm F1.8, HD PENTAX-DA 35mm F2.8 Macro Limited and smc PENTAX-DA 50-200mm F4-5.6ED WR lenses.

“PENTAX KP First Impression

PENTAX KP (KP below). The moment I met KP, I fell in love at first sight as I thought “Wow, my camera!” For a small and stylish body that I do not think as an SLR.

It is not a design that tends to be in recent single lens reflex cameras, but a camera-like design like a film camera. I like compactness very much.

If town walking snapshot shoots, I would like to see it in a smart style like “KP + single focal lens”.

“Serious camera” that is neither an entry class nor a middle class.

If you want to start a photo from now on, this KP is recommended.

There is a firmer weight feeling than entry machine of small mirrorless camera and single lens reflex camera, stability feeling that there is no worry of blur when holding.

Strong camera shake compensation for 5 axes and 5 stages on the body side that all lenses benefit can be relieved even in shooting with a dark place or a telephoto zoom lens.

Easy to see in the viewfinder, AF operation and shutter are light and comfortable feel.”

(text translated from Japanese)

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Posted in APS-C, Cameras, DA Lenses, DA Prime Lenses, DA Zoom Lenses, DSLR, HD PENTAX-DA 16-85mm F3.5-5.6 ED DC WR, HD PENTAX-DA 35mm F2.8 Macro Limited, K-mount Lenses, Lenses, Mid-class APS-C, PENTAX KP, smc PENTAX-DA 21mm F3.2 AL Limited, smc PENTAX-DA 50-200mm F4-5.6 ED WR, smc PENTAX-DA 50mm F1.8.

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